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Lenin Tamayo conquista Asia con el k-pop en quechua

Watch the video below and explore annotations about vocabulary, grammar, sociocultural aspects of the language, and more.

Video 4 - Lenin Tamayo conquista Asia con el k-pop en quechua

Lenin Tamayo is a young Peruvian artist who has taken his culture to the world by blending the energy of Korean pop music with the Quechua language and Andean musical elements to create a genre known as “Q‑pop.” What started as a personal expression of identity and resilience has turned into an international musical movement that has resonated with audiences across Asia, even as he performs songs in Quechua far from home. In the video below, you will learn about how he built Q‑pop, his success touring in countries like South Korea, India, Thailand, and Vietnam, and how his music helps challenge stereotypes while celebrating Indigenous language and culture on the global stage.

Lenin Tamayo conquista Asia con el k-pop en quechua

Annotations

00:00 - 00:14

Annotations

Introduction to Lenin Tamayo and the creation of a new genre (Quechua pop), described as a fusion of K-pop aesthetics and Quechua linguistic/cultural identity.

Quechua Pop
Quechua language
Present Perfect

00:00 - 00:14

Questions

Identify one example of present perfect.

Quechua Pop
Quechua language
Present Perfect

00:34 - 00:47

Annotations

Lenin highlights artistic authenticity and the universality of emotion in his music.

Authenticity
Music and language

00:34 - 00:47

Questions

What does Lenin say about the importance of language in his music?

Authenticity
Music and language

01:08 - 01:33

Annotations

Despite few Peruvians living in Asia, he connected with local audiences through limited English and mainly through music.

Music success
Imperfect

01:08 - 01:33

Questions

In which Asian countries did he perform successfully?

Music success
Imperfect

02:06 - 02:32

Annotations

Description of his mother’s difficult pregnancy: he was born at six months.

Difficult pregnancy

02:06 - 02:32

Questions

What complications did Lenin’s mother face during pregnancy?

Difficult pregnancy

03:14 - 03:41

Annotations

Lenin describes his early childhood in Cusco and Apurímac, where he grew up in a musical household.

Childhood Languages

03:14 - 03:41

Questions

What languages were spoken in his home?

Childhood Languages

03:14 - 03:41

Questions

Research: look for the meaning of the word "inculcar."

Childhood Languages

04:51 - 05:07

Annotations

At secondary school in Lima, he was bullied.

Bullying

04:51 - 05:07

Questions

Why did his classmates bully him?

Bullying

05:52 - 06:03

Annotations

Lenin chooses to return to Lima to pursue university studies, feeling that art wasn’t considered a viable career. This reflects a tension between societal expectations and personal dreams.

Career
Tener que

05:52 - 06:03

Questions

What does tengo que express in Spanish?

Career
Tener que

06:20 - 06:33

Annotations

A talent contest at San Marcos university becomes a decisive moment; he performs publicly for the first time and wins.

Talent contest

06:20 - 06:33

Questions

What motivated Lenin to participate in the contest?

Talent contest

06:59 - 07:12

Annotations

He notices the lack of Quechua-based pop content and begins creating K-pop covers in Quechua.

Quechua Pop

06:59 - 07:12

Questions

What nickname did the audience give to Lenin’s group?

Quechua Pop

07:36 - 07:48

Annotations

Lenin explains the symbolism of his Andean-fusion outfit.

Outfit

07:36 - 07:48

Questions

What message does his outfit convey?

Outfit

07:55 - 08:06

Annotations

He announces an audition for dancers for his national theater concert and explains the meaning of yachta.

Audition for dancers
Yachta

07:55 - 08:06

Questions

What does yachta mean?

Audition for dancers
Yachta

08:12 - 08:34

Annotations

Lenin’s music advocates for freedom, love, identity, and recognition of Indigenous heritage. He aims to give voice to marginalized communities.

Marginalized communities
Freedom
Love

08:12 - 08:34

Questions

Identify one use of "por" in this excerpt.

Marginalized communities
Freedom
Love

Project By: Eduardo Gorobets
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